1975, I’m Alive

Reminded me of “Outa my brain on the 9:15” as great rock choruses go.  Howl were just what I needed, after a great day at work, a surprisingly good gig at Oslo Garage, chosen by the sticking a pin in the gig list method. Conventional 6-piece probably 2 more than really necessary I guess, with two guitars plus keyboard,  bass and drums, and a Jaggeresque / Mercuriesque strutting front-man. Proved very effective, no messing 70’s / 80’s rock, with a local audience supporting a local band. (Interesting mix of Gibson-Firebird, 335 and f-hole ? / Fender-Jaguar and Tele / Gretsch / Rickenbacker guitars, a great bassist and a Jason Statham lookalike with excellent harmony vocals on the drums.)

But one gig wasn’t enough, so I wandered round to Revolver to find The Bloody Hollies just starting their set. Even less messing, pre-punk – Dictators style – in just the right kinda intimate venue all that way from their California home, no one in the crowd more than ten feet from the band. So much noise from an SG-Junior. Still winding down here at 3am, watching Pink Floyd and Hamsters concert DVD’s for some reason – oh I know, the EMI court case. Funny how the mind works.

(San Diego CA based, but Buffalo NY natives apparently – who was that excellent Buffalo three piece ? Johnny Nobody, that’s who.)

(Post Note – Playing the HowL “Cold Water Music” CD to death at the moment – Oct 2011 – still excellent. No trace of the track with the “1975 I’m Alive” chorus … Switchblade Eyes (Controller) and To The Point outstanding, the former included in the FIFA2011 game sound-track !!! … and not sure in hindsight how Bloody Hollies – a three piece – reminded me of The Dictators, but hey.)

A Word From Atilla

Atilla the Stockbroker is announcer at The Withdean, and even he can’t wait to get out of the place – I remember the feeling. Are Brighton really still stuck at that place. Interesting rant on how business is ruining and continuing to ruin football (soccer). It rang an immediate bell with me. Reading Dennis Dutton’s “The Art Instinct” I had just reacted to his “objective” measures of sporting success undervaluing the artistic, aesthetic values of “The Beatiful Game” – but then he doesn’t claim to be a fan. Brighton at the Withdean however, may be the Duchamp Fountain of the soccer world.

Sometimes the bottom line result is all that matters, but it is never all that matters. Beauty really is in the participation of the fan, like any work of art. Mind you things can get ugly too. (More to come on Dutton’s excellent book.)

Dear Diary

Not quite my longest blogging hiatus there. Never stopped since the Moscow trip in mid-February and the first Houston trip of March. Exciting times. More on why later, maybe. For now: Houston was three different events all requiring work preparation, but thankfully got a free day and half at the weekend.

Made a sunset drive to Galveston, and a full day down to Aransas, TX on Mustang Island and on to the northern tip of Padre Island and Corpus Christi. Aransas was my kinda town “A small drinking village with a fishing problem.” Reminded me of Destin, FL; probably the last place I saw that gag too. A large wind-farm at Sinton, TX struck me as ironic, after all the nodding donkeys. I do miss US service generally, and smokin’ in bars. Even the bar tender in Terminal E at Newark on the way back – was another in the “Now, if I was Richard Branson …” category. Talking of Americana, saw a couple of covers bands in Houston bars, but I made a bee-line for “The Last Concert Cafe” on the last night.

Spoonfed Tribe were playing, with two support acts, in the ramshackle Mexican cantina in the shadow of the downtown I10 ramp. Spoonfed live are a sensory feast – never quite found the same effect in their recorded material – and that venue just suits their style; mostly outdoor (downtown) backyard beach (!) complete with handicraft / jewelery stalls, just a little too chilly to chill in early March. Mind you with the amount of dope being smoked the ventilation compensated for other hazards. As good as I remembered them back in Huntsville, which is always a fear, but a real festival with their local Texan fans. One spaced-out chick kindly remarked how good it was to see old people checking out Spoonfed too.

Purely by way of aside, also with the multiple percussion and highly processed loop effects – but a total contrast with Imogen Heap in Oslo the week before, in terms of effective performance and audience engagement. You can’t win ’em all.

Now, I have of course also been reading …

Rivets recommends, and I agree an interesting (surprising) collection of images.

Too Much Freedom of Expression

Remembered reading this from Stanislaw Lem a few years ago, but no idea if I blogged it at the time. I keep making the unfashionable comment that too much freedom to communicate is not necessarily a good thing.

“Literature, from the very beginning, has had a single enemy, and that is the restriction of the expressed idea. It turns out, however, that freedom of expression sometimes presents a greater threat to an idea, because forbidden thoughts may circulate in secret, but what can be done when an important fact is lost in a flood of impostors, and the voice of truth becomes drowned out in an ungodly din? When that voice, though freely resounding, cannot be heard, because the technologies of information have led to a situation in which one can receive best the message of him who shouts the loudest, even when the most falsely?”
Stanislaw Lem, “His Master’s Voice”

Thanks to Ray Girvan for bring the quote back to my attention.

Too Much Integration

I’m reading Stephen Toulmin’s 2001 “Return To Reason” (I also have, but have not yet read his “Cosmopolis“). It is as good an expose so far on the enlightenment wrong turn as I have yet read. That reasonableness is more than rationality, that wisdom is more than knowledge.

I hadn’t before quite appreciated how the 17th century enlightenment (Newton, Leibniz,  Descartes et al) was such a direct reaction to the sectarian religious violence laying waste to the populations of Europe in the 30 Years War. The response was the attempt to create and capture the  perfection of (God’s) nature in the certainty of mathematics and logic.

Some significant quotes here from Toulmin, illustrating the too-greedy-reductionism in assuming a scientistic view is a solution to every problem.

In practical terms, the people with the best claim to be the heirs of Leibniz are computer information engineers … .

We can dream up all the theories we please (of communication and control, neurophysical holography and artificial intelligence, automated reasoning, deep grammar and brain function, etc) But the further we move away from the Sciences of Matter and Energy, and toward the Sciences of Information, the more we must integrate theoria and praxis, and the fainter the distinction between “pure” and “applied” sciences.

By now, the question “How should the new ideas of science be utilized?” needs to be faced even at the initial state of conceiving possible new theories. So it is helpful to recall why the dream of rationalist philosophy proved to be a Dream indeed.

No formalism can interpret itself;
No system can validate itself;
No theory can exemplify itself;
No representation can map itself;
No language can predefine its own meanings;
No science can decide which of its technologies are of real human value.

… we must ignore the seventeenth-century ideal of intellectual exactitude, with its idolization of proof and certainty and recall the practical wisdom of sixteenth-century humanists, who hoped to recapture the modesty that had made it possible to live happily with uncertainty, ambiguity and pluralism.

It is admirable to share Bacon’s dreams in The New Atlantis, but let us be realistic about the obstacles to realizing those dreams – the most serious being the epistemological obstacles. The greater our interventions in the natural world, the less we can forecast their effects, the more significant will be their unintended outcomes. (… risks run today in the Three Gorges Dam on the Yangtze River.)

The dreams of seventeenth-century philosophy – infallible scientific method, perfectly exact language, and the rest – may still fascinate and inspire powerful new theories. But the future depends just as much on our ability to recapture the values of the sixteenth-century humanists and maintain the fragile balance between refinement of our practical skills and the human interests they serve.

…. there ends Chapter 5 – “Dreams of Rationality“.
Chapter 6 – “Rethinking Method” opens with ….

One aspect of the standard view of “rationality” is the assumption that a single method can turn any field of enquiry into a “hard science” (like physics …)

Short on Blogging Time

After an active blogging (and reading) January, I have stalled in February. Partly due to a very exciting business trip to Moscow, where I had little time or access for either reading or blogging and work piling up as a result.

During the past week, I did complete Brian Boyd’s On The Origin Of Stories, on the bus to and from the office. As well as discovering that Dr Seuss was a phenomenon that had passed me by, ultimately a very satisfying read. A very good summary of enlightened Darwinian evolution of mind, where attention is probably the main driving force, attention being drawn to perceived value. Makes perfect sense. Art and the art of story-telling are part of the evolution of that attention to value, and economy of explanation, necessary for mind to evolve.

Having earlier read David Lindley’s Uncertainty, someone recommended Graham Farmelo’s The Strangest Man – The Hidden Life Of Paul Dirac, Quantum Genius. Finding it hard to put down – researched from correspondence, interviews and documentary records, the science, the competition, the philosophy, society and international politics and war of the first half of the 20th century. Fascinating. Obvious, but not seen mentioned before, the crossing in Cambridge of Dirac’s path with Wittgenstein’s – genius chalk with genius cheese. Clear also, as others have pointed out before, that Arthur Eddington was the contemporary writer to read for lay accounts of the new science as it developed.