Month: July 2007

Not mine you understand, Psybertron is approaching six, but ten years since the whole concept was invented by Jorn who, it seems, is still writing the rules.

I appreciate, but don’t quite have the discipline needed for the pared-down and pre-emptive lnking style, but fully accept the timeline / quality arrangements rather than illusory ontologies. In the semantic web, the semantics are the result, not the framework.

In the same day that the foreign ministers of Jordan and Egypt visit Israel, and the same day that a survey reports that fewer muslims support suicide bombing as a valid political tactic, terrorists bomb Iraqi football crowds, celebrating their Asia-Cup victory.

Who was it said “No, football’s not a matter of life and death, it’s much more important than that.” Bill Shankly wasn’t it ? Well forget the rationale of western governments, forget religious differences, perhaps the extremists have made their biggest mistake to attack the world’s only unifying culture.

The BBC’s Nicholas Witchell, in Baghdad, says the football team’s win was a genuine moment of national pride and pleasure which had crossed the sectarian divisions between Iraq’s different communities.

Just as the Iraqi team has Sunni and Shia Muslims and Kurds playing alongside each other, the celebrations brought members of all those communities out onto the streets, he adds.

They cheered and waved Iraqi flags, sharing, perhaps, the first such moment of national pride in recent years, our correspondents says.

How about a show of solidarity with the Iraqis at the opening games of the next football season – I mean, if Princess Margaret gets a minute’s silence … where’s our sense of proportion ? Whaddya think Sam, worth a campaign ?

Updated Iraqi team news.
And finally more cause to celebrate.

Sylvia and I found ourselves in Nashville on the day of Beckham’s friendly run out for LA Galaxy against Chelski, and had the pre-match build up on ESPN in the hotel whilst getting ready to go out for the evening.

Who should we spot in the briefest glimpse warming up on the pitch for Chelsea, but recent Reading old boy Sid (Steve Sidwell) – I say glimpse, because football was very much third-fiddle to the Beckhams new found LA glitterati and papparazi as far as the US sports coverage was concerned – what a circus.

We chuckled at the “Sid breaks Becks leg” headline potential – keen to impress in his first appearance for his new mega-club – as we switched the drivel off and went out to cruise the honky-tonks on Broadway. (Talking of Cruises, the nightmare currently appearing before me, as I see the Beckhams alongside them, is next year’s headline as Scientology takes the world by storm – tell me I’m dreaming – hoping never to report you heard it here first, with hopes pinned on that nice Essex boy.)

Anyway imagine our suprise at finding the music bars already too full to get to eat, so we dropped into a sports-bar for an early evening bite – ironically only one screen (of dozens) was actually showing the “soccer” and that was barely in view from where we were sitting – situation normal, in this land where more kids play organised youth football than anywhere on the planet. But someone must have asked to see the game, because suddenly there were several screens showing the HD spectacle.

What a circus, I think I said, barely 3 minutes at a stretch between zooming in, (even interviewing during the game) opportunities with the assembled celebs and pundits. Can US football survive the attention span deficit ? I seriously doubt it.

But with Beckham-Cam showing most of the screen time from the moment the boy came on, and with Sid joining the game only minutes before in a position directly opposite the superstar, Sid was truly in the US media spotlight. Surreal for us Royals. Oh oh, was that Sid, smack on that $250-million right ankle ? Yep, sure was. Phew, be thankful Sid that Becks is (still) the professional – no quarter sought apparently, even though he was clearly hobbled. A friendly pat accepted in apology as play resumed, and more handshakes and jokey words at the final whistle.

You could write this stuff.

“I saw him coming and I jumped just in time so my foot wasn’t planted when he hit me,” Beckham explained. “You expect that in games and, even though it was a friendly, he’s a competitive player. It’s his first start this season, he’s going to be a good player and he’s done well in the Premiership so far. Now he’s playing for Chelsea and he’s going to smash some people along the way, even in friendlies. Unfortunately, it was me tonight but that’s part and parcel of being a footballer and it’s fine.”

Clearly, the ankle is not. Beckham hobbled around for the remainder of the game and managed to take a corner kick at the end but he is unlikely to be able to demonstrate his true worth to his new team, on the pitch at least, for another couple of weeks.

The above from Times Online.

Sadly Chelsea really should have hammered Galaxy on the form on display.

 Better news though, good though Sid was for Reading I was never quite sure he was that good, but if he gets that positional freedom in the premiership, to run into the box onto square passes or intercept loose balls as he did here, he should make an impression.

Even better news the band whose name I didn’t catch  playing the late night session in a honky-tonk whose name I forget were tremendous, really tight rhythm section even on requests they didn’t seem sure they knew when they started … an immense version of G.L.O.R.I.A amongst a collection of country and blue-grass (complete with electric 5-string fiddle) evolving through the night from Hank Williams & Willie Nelson through Chuck Berry (Nadine & others), Who (My Generation), The Stones (Jumpin Jack, Brown Sugar, Sympathy), Cheap Trick, U2 (I Will Follow) and ending totally unexpectedly with a manic version of the Ramones “Blitzkrieg Bop”. Not at all what we imagined in a Broadway Honky Tonk called Layla’s Bluegrass Inn.

The band it turns out was Heath Haynes and the Four Ballers. Actually more about Heath Haynes on bassist Aaron Oliva’s website than his own. Guitarist Rich Gilbert has his own myspace too. Apparently when not entertaining the punters with covers, they perform originals as Heath Haynes and the Cryin’ Shames. Must look out for them.

And, that annoyingly catchy riff and chorus that everybody – inlcuding Heath Haynes – seems to cover in these parts was Violent Femmes “Blister in the Sun”.

I kid you not. Apparently it exists, according to the “Paradoxical Primate” by Colin Talbot, reviewed by Rick O’Gorman at Human Nature Review (NIBBS). (BTW, despite the current date on the NIBBS page there seem to have been no updates since Feb 07 ?)

The review is pretty negative, on scientific grounds (lack of objective evidence) but there is something attractive in the idea that paradoxical contrariness in human nature is an evolved strategy for dealing with conflict and complexity. Seems to fit other paradox / hypocrisy / neurosis arguments in management and organisational behaviour. Seems to fit a “free-won’t” view of free-will whereby to conflicting dynamic potentials may be in static balance, both inhibited from action, but drop the barrier and the chosen action is off and running.

The suprising point is that something called “paradoxical systems theory” appears to exist in the first place …. a Google search fails to find the term anywhere other than in reference to Colin Talbot’s work. Ho hum.

Anyway his work itself, his book anyway, looks worthy of attention … headings right up my street include “The Tyranny of Boston Boxes” and “White Lies and Social Hypocrisy” and plenty of references to Quinn, Cameron, Huczynski, and E.O.Wilson.

Interestingly (paradoxically) Gorman’s basis of criticism is a great example of the problem Talbot is addressing. As if objective evidence were the sole value of a good idea. This links well to my recent Nick Maxwell piece.

The four cities of Florence, Sheffield, Tuscumbia and Muscle Shoals are grouped together a few miles downstream from where we are here at Huntsville / Madison on the Tennessee River in Alabama. In their “Sweet Home Alabama” Lynyrd Skynyrd pointed out that in “Muscle Shoals they have The Swampers” and here’s what they were on about …

[Please do also note the 2013/14 updates and current links below.]

1959 Rick Hall forms FAME (Florence Alabama Music Enteprises) a music publishing business in Florence, Alabama. Some early recordings are done in makeshift studios in an abandoned tobacco & candy warehouse on Wilson Dam Road, across the Tennessee River in Muscle Shoals.

1961 Success of Arthur Alexander’s “You Better Move On” funded setting up of FAME Recording Studios at 603 East Avalon Avenue, also in Muscle Shoals.

1961-1969 FAME as a studio, and as a label associated with Atlantic, Capitol and United Artists, became known for the “Muscle Shoals Sound” of the house session band rhythm section – various combinations of personnel known generically as the Muscle Shoals Rhythm Section. (See FAME site for fuller details of personnel changes.) These included Duane Allman as a session guitarist and specifically, in its second incarnation, the most famous foursome of  Barry Beckett, David Hood, Roger Hawkins and Jimmy Johnson, later dubbed “The Swampers”. These session musicians were in demand and recorded with artists not just at FAME, but at Stax, Sun and other studios. Hawkins and Johnson were originally the “Del Rays”.

1969 The Swampers left FAME to set up their own “Muscle Shoals Sound Studios” at 3614 Jackson Highway, Muscle Shoals. (It seems a FAME dispute with Atlantic records over Aretha Franklin may have preciptated the move ?) For almost ten years from 1969 until 1978 the Muscle Shoals Sound Studios continued the success story of the most significant foursome of the Muscle Shoals Rhythm Section at their own 3614 Jackson Highway studio. See www.muscleschoalssound.org

(Losing the swampers in 1969 FAME studio and label carried on with decreasing success until folding in 1974, though Hall continued to work as a producer, and organised at least two further successful versions of his session band – aka The Fame Gang 1 and 2.  The FAME studio name was resurrected in 2007, in association with EMI, and FAME have the www.muscleshoalssound.com “dot com” URL – which is misleading because MSSS actually has the dot org address above and the physical 3614 Jackson Highway studio. See 2013 Post Note – Studio since acquired by MSM Foundation.)

1978 The Swampers moved to a larger riverside studio in Sheffield, but their success dwindled until they sold-up to Malaco Records in 1985, and from then until 1999 it seemed most of the industry had forgotten the original Muscle Shoals Sound Studios, where some 400 albums had been recorded.

1999 Noel Webster buys the derelict building and, after restoration to the orginal (1969) state, they are a working studio again on April 1st 2001.

2006 Noel succeeds in getting the Muscle Shoals Sound Studios at 3614 Jackson Highway listed by the Alabama Register of Historic Places and the US National Trust for Historic Preservation, and is open for visits. See the studios, and buy the tee-shirts where ….

Aretha Franklin, Rolling Stones, Boz Scaggs, Wilson Pickett, Percy Sledge, Cat Stevens, Jimmy Cliff, Willie Nelson, Jim Capaldi, Canned Heat, Staple Singers / Sisters, Traffic, Bob Seger, JJ Cale, Blackfoot, Joan Baez, Dr Hook, Bobby Womack, Paul Anka, Cher (album named after the studio address, with the above image as its cover), Lynyrd Skynyrd, Art Garfunkel, Millie Jackson, Rod Stewart, Paul Simon … not to mention The Swampers themselves,

…. and many more, all recorded songs and/or albums.

2009/10 – Black Keys million-selling, grammy-award-winning album recorded at MSSS.

A time of posting in 2007 – both current FAME and MSSS web-sites and their Wikipedia entries [FAME] and [MSSS] (from which the above is compiled) are sparse on specific dates for particular artists, and which songs and/or albums were actually recorded there, and given the even longer list of artists with whom The Swampers recorded here and with FAME and elsewhere, and other opportunities for name-dropping-by-association, detail is hard to pin down. Some detailed research needed methinks, and a timeline. [Good NPR link here too.]

[Post Note 2011/12 – The wikipedia page still suffers confusion from the rival FAME studios these (2011) days. Still a dot.com Muscle Shoals Sound site that is in fact the FAME operation, not the Muscle Shoals Sound Studios, even though the latter name is a registered trademark. MSSS most active on their FaceBook Page these days – note link to the T-Shirts page is wrong – click here instead http://www.muscleshoalssound.org/muscleshoalssound.org/T-Shirts.html ]

[Post Note 2013 – See latest update post here and latest links to Muscle Shoals Sound / Music operations since MSM Foundation chaired by (son of Rick) Rodney Hall of FAME acquired MSS Studio from Noel. Great news that the current generations are cooperating on the heritage – just need to get the public front pages of the relevant recording, publishing and heritage operations a bit clearer than navigating the mix of Facebook and Wikipedia pages I guess, but looking good. Even better news the whole story appears to be captured in “Muscle Shoals – The Movie” due for release September 2013.]

[Post Note 2014 – See my review of the truly excellent Muscle Shoals The Movie. And for all ongoing contact see the Muscle Shoals Music Foundation.]

We know Bacon coined the idea that knowledge is power around 1600, so not surprisingly, Mark Pesce’s talk on Hyperpeople “The Inconvenience of Truth” concludes that so long as their are parties with different interests, knowledge is in fact war. A warning that a collaborative on-line encyclopedia like Wikipedia can never be the whole truth, just a concensus truth where interests are uncontentious.

Reinforces a pragmatists process view of ontology, that knowledge is really about what it does – to know is to do, and truth is about knowing motivations.

Via Jeremy Hunsinger at “Too Many Topics, Too Little Time” – a blog that I had links to way back when, but have just re-discovered.