Interview by Julian Baggini
What is the most important work of philosophy to be written
in the last fifty years? Ask a panel of experts and you'll
probably be told it's something like Rawls's Theory of
Justice , MacIntyre's After Virtue , or Kuhn's
The Structure of Scientific Revolutions – all books
the average person in the street has never heard of. Jo Public
is most likely to remember an international bestseller:
Zen and the Art of Motorcycle Maintenance: An inquiry into
values by Robert M Pirsig, published in 1974.
Our panel of experts would quickly dismiss this nomination.
Pirsig's impact on professional philosophy has been
negligible. In university philosophy departments, Pirsig's
central idea – known as the Metaphysics of Quality (see box) –
remains undiscussed and unstudied. Only one PhD has ever been
awarded for a thesis on Pirsig's ideas, to Anthony McWatt at
Liverpool University last year. McWatt also organised what he
billed as the first academic philosophy conference on the
Metaphysics of Quality. But even this turns out to be only a
half-step into academe for Pirsig: when I asked about how a
spoof paper was accepted into the programme, McWatt told me
the conference had been “arranged at the last minute on an ad
hoc basis” and that “anyone invited to the Conference was free
to present a paper of whatever viewpoint they wanted.” Not
then what would usually be deemed an academic conference.
But then Pirsig is used to being an outsider. The
Guinness Book of Records lists Zen and the Art of
Motorcycle Maintenance as the bestseller that was
rejected by the largest number of publishers: 121. Yet as the
book became a hit, recognition seemed to be his at last.
Zen… combined a fictionalised, autobiographical
account of a motorcycle journey with philosophical discourses,
or “chautauquas”. It received glowing reviews from highly
respected sources. The New York Review of Books said
“Pirsig is a stunning writer of fictional prose”, the New
York Times declared it to be “profoundly important”, and
the Sunday Times called it “an astonishing literary
performance”. George Steiner would later compared Pirsig's
writing to Dostoevsky, Proust and Bergson.
Pirsig was awarded a Guggenheim Fellowship to write the
sequel, Lila: An inquiry into morals (1991). “While
Zen and the Art of Motorcycle Maintenance is a
skeleton of a philosophy enclosed within a full-bodied novel,”
Pirsig told me, “ Lila is a skeleton of a novel
enclosed within a full-bodied philosophy.” Lila
developed the Metaphysics of Quality more fully, but
despite receiving several good reviews and spending six weeks
on the New York Times bestseller list, it failed to
attract the interest of academe and lacked the enduring appeal
of Zen …, and in Britain the book is currently of
print.
Since then, Pirsig has published virtually nothing and
rarely talked publicly. So when I was offered the opportunity
of an exclusive interview with him, the offer was
irresistible. There was, however a catch: the interview would
be by email. Although a few early TPM interviews were
conducted this way, it has been our policy in recent years to
prefer no interview over one conducted by electronic means
alone. But Pirsig is such an exceptional figure, an exception
was made.
Perhaps it should not have been. The exchange often seemed
not to connect, and perhaps the medium in which it took place
was a major factor. By the end, Pirsig himself was clearly
disappointed with the result, writing: “We have come to a
standoff here, where I have refused to talk about what other
philosophers are saying, and you have neglected to ask
underlying questions about what I am saying. What is most
remarkable to me about this interview is that not a single
question has been asked about what the Metaphysics of Quality
actually says. You say there is more to philosophy than I
know, and that is no doubt true. I have a degree in philosophy
and know quite well that no one knows it all. But there is
more to the Metaphysics of Quality than you have shown any
indication of understanding, and there was an opportunity to
find out more that has been missed. In journalism, where I
hold an MA, it is mandatory that when you interview someone
you try sincerely to understand what they are saying, not just
try to impose other people's views on them, including your
own.”
You can make up your own mind as to whether this is fair by
reading the
entire transcript of our exchange online (at
www.philosophersmag.com and forthcoming on
www.robertpirsig.org). Whatever your verdict, Pirsig's
complaint reflects a tension that ran through the interview.
Pirsig wanted to talk about his philosophy and his philosophy
alone. I wanted to relate that philosophy to the ideas of
others, as a means of bringing out what is supposedly
different or superior in it, and also a means of questioning
it. After all, if the purpose were just to reiterate what
Pirsig has already said, we should simply tell people to go
and read his books, or just invite him to provide an overview
of his philosophy.
So, for instance, I began by asking, “There are all sorts
of echoes and references to the mainstream philosophical
tradition in your books, yet it is not obvious where or how
you fit into that tradition. You have, for example, been
referred to as an American pragmatist philosopher. Where would
you locate your work in the history of philosophy?”
“The Metaphysics of Quality is not intended to be within
any philosophic tradition,” he replied, “although obviously it
was not written in a vacuum. My first awareness that it
resembled James's work came from a magazine review long after
Zen and the Art of Motorcycle Maintenance was
published. The Metaphysics of Quality's central idea that the
world is nothing but value is not part of any philosophic
tradition that I know of. I have proposed it because it seems
to me that when you look into it carefully it makes more sense
than all the other things the world is supposed to be composed
of.”
Much as I appreciate Pirsig's desire not to be labelled
according to the standard, extant divisions in philosophy,
there is surely something of a tension in this kind of reply.
On the one hand, he is not interested in relating his ideas to
those of others, but on the other, he is claiming that his
theory makes more sense than all others. But to make the
latter claim persuasively, I think you have to engage with
those competing ideas, which is something Pirisg seemed
reluctant to do.
Furthermore, when he does criticise other ideas, his
dismissal of them often seems perfunctory. For example, in
Lila he wrote “[The theory of evolution] goes into
many volumes about how the fittest survive but never once goes
into the question of why.”
I put it to him that most biologists would see that as
blatantly untrue, and that furthermore, that if he thought the
question of why the fittest survive hasn't been answered by
the theory of evolution, he just hasn't understood it.
“I would answer that biologists who think my question
doesn't understand the theory of evolution are biologists who
do not understand the difference between ‘how' and ‘why',” he
replied. “The answers they give for ‘why' are usually
‘competitive advantage' or ‘survival of the fittest'. But if
you look closely you will see that these are not scientific
terms. ‘Fittest' is a subjective term. It exists only in the
mind of a scientific observer. It isn't out there in the
nature he observes. The same is true of ‘advantage'. Ask a
biologist who thinks my question doesn't understand the theory
of evolution, to define in exact scientific terms the meaning
of these evaluative words. If he takes time to do so I predict
he will give up or he will come up with nonsense or he will
find himself drifting eventually toward the solutions arrived
at by the Metaphysics of Quality.”
The problem with that reply is that though “fittest” may
appear to be an evaluative term, for evolutionists it is no
such thing, but simply describes how well an organism is able
to survive in the environment it finds itself.
In a similar vein, I try to explore the apparent parallels
between Pirsig's philosophy and that of other monist
metaphysics, such as that of Spinoza. I put it to him that the
Metaphysics of Quality shares with these predecessors an
attempt to dissolve the puzzle that the world seems to contain
many things that are real yet seemingly incommensurable – such
as mind and matter, fact and value, objectivity and
subjectivity – by arguing that these are all just aspects of
one, unified thing. Given that Pirsig claims his metaphysics
is a Copernican revolution on a par with Kant's, doesn't the
existence of these precursors rather deflate that claim?
Pirsig answered, “I may have read Spinoza incorrectly but
it has seemed to me that his assertion that God is the
fundamental constituent of the Universe was not very
revolutionary, given the church attitudes at the time.”
To say that Spinoza's views were not very revolutionary
seemed to me an extraordinary claim, since the impersonal
“god-or-nature” he postulated was entirely different from that
of the Jewish or Christian religion.
Pirsig simply replied, “If the claim seems extraordinary to
you, then I withdraw it. I am not a ‘Spinozist' and made it
clear that I may have read him incorrectly.” But if you are
going to claim great originality for your theories, surely you
should make sure they really are that original?
Despite Pirsig's later claim that I showed no interest in
understanding his metaphysics, we did discuss several aspects
of it, including what exactly quality is, and its role in his
philosophy. However, he resisted my attempt to relate this to
the traditional philosophical concepts of monism and dualism,
which categorise theories in terms of the number of basic
substances they claim exist – one or two, respectively.
“You are correct in saying that the revolutionary assertion
of the Metaphysics of Quality is that ‘Quality' or ‘value' is
the fundamental constituent of the universe,” he wrote.
“However, the classification of metaphysics into monism,
dualism and pluralism, seems to me to be an arbitrary
classification where none is needed. The Metaphysics of
Quality is all three: Quality is the monism. Static Quality
and Dynamic Quality are the dualism, and the four levels of
static quality contain a pluralism of things.”
But why is the classification of metaphysics into monism,
dualism and pluralism arbitrary?
“I think it is arbitrary the way a count of the length of
sentences in a metaphysics would be arbitrary. It doesn't add
anything to the truth or falsehood of the metaphysics being
described. It is a form of philosophology, if I may use a
favourite word, a classification of philosophy rather than
philosophy itself.”
I'm not convinced. Of course, I continued, many systems
have pairs, trios, quartets (and so forth) of concepts. But it
seems perfectly reasonable to classify metaphysical systems as
monist or dualist on the basis of how many basic
substances they believe the universe most
fundamentally comprises.
“The ‘Quality' of the Metaphysics of Quality is not a basic
substance, or anything like it. The Buddhists call it
‘nothingness' precisely to avoid that kind of intellectual
characterisation. Once you start to define Quality as a basic
substance you are off on a completely different path from the
Metaphysics of Quality.”
I'm left somewhat confused by the fact that “‘Quality' or
‘value' is the fundamental constituent of the universe”, but
that “The ‘Quality' of the Metaphysics of Quality is not a
basic substance, or anything like it.” Given that “substance”
in the broad sense is usually understood to mean the
constituent of whatever exists, and is not taken to refer
solely to physical matter, could Pirsig explain further how
quality is a basic constituent but not a substance?
“I'm not original on this point,” he replies, “except to
identify Quality with the Tao and with Buddha-nature (hence
the title of Zen and the Art of Motorcycle Maintenance
). The amount of material on these two would overflow
most library rooms, but it is essential to both that the basic
constituent of the universe is nothingness, and by this is
meant not empty space but ‘no-thingness'. It is somewhat
incorrect to call ‘no-thingness' a basic constituent since it
is not really even that, (it is not even an it) but in an
everyday philosophic ‘finger-pointing-toward-the-moon'
discourse that's about as good as you can get. It is very
incorrect to call it a substance in the way that substance is
usually meant today.”
I think these answers again show some difficulties of our
interview. Pirsig often replies by either pointing to a huge
stack of literature elsewhere, or by appealing to the
essential indefinablity of key terms. For instance, when I
ask, sceptically, about the apparent lack of arguments
underpinning the Metaphysics of Quality, he replies, “I and
many others think that these arguments are in fact contained
in Zen and the Art of Motorcycle Maintenance and
Lila . I do not know of any philosophical system that
leaves all questions answered to everyone's satisfaction in
one volume. The MOQ.org website since 1997 has averaged about
500 posts per month, containing arguments for and against the
Metaphysics of Quality. That comes to 42,000 posts. That's a
lot of arguments. There is an entire book called Lila's
Child that is extracted from these arguments, with
annotations by myself.”
As to his replies gesturing towards the essential
indefinability of things, he uses the metaphor that the
Metaphysics of Quality is “just another finger pointing toward
the moon”. What would he say to the suggestion that we should
take that comment perhaps more literally than he intended and
say that all his talk of quality and value should be seen
merely as useful ways of seeing things, and we shouldn't worry
about whether it is literally true? Should we just see
metaphysics as metaphor?
“I think that we should see metaphysics as metaphor to the
extent that metaphor is literally true,” he says, gnomically.
In my analytic literal-mindedness, I don't accept that as a
clear enough answer. In what sense can a metaphor be literally
true? We normally understand metaphor in contrast to
literal truth. “The sun is shining” is literally true;
“The sun is shining in my heart” is metaphorically true.
Whether metaphysics deals in statements of the first or second
kind seems to me an important question.
“I am really not familiar with the question but seem to
remember reading that if the ‘mythos-over-logos' line of
thought is followed, then metaphors are literally true since
all our knowledge, including scientific knowledge, is
metaphorical. In a subject-object metaphysics metaphors are
clearly subjective and literal truth is clearly objective. But
if the foundations of the subject-object metaphysics are
rejected then the question of whether metaphysics is metaphor
or literal truth goes out the window with it. It becomes
moot.”
My suspicion is that Pirsig's frustration
with me is rooted in his deep-seated conviction that his
theory is right and to do anything other than explain it is a
pointless distraction. And relating it to what others have had
to say is the most pointless distraction of all. It is as
though he thinks the Metaphysics of Quality is self-evidently
true to anyone who takes the trouble to understand it
properly. It needs no further support. He says that the reason
for accepting Quality as the fundamental constituent of the
universe is that “We gain a far better way of organising our
understanding of everything, from physics to religion. That
gain is its own justification.” Indeed, the beauty of the
metaphysical construct seems sufficient reason to embrace it:
“I think the Metaphysics of Quality would say that true ideas
are more beautiful than false ones,” he says.
I do have some sympathy for Pirsig's distaste for how
academic philosophy encourages an inward looking conservatism
that makes it resistant to genuinely new ideas.
“[Philosophers], instead of coming to grips with the
philosophy at hand, sometimes dismiss it by saying, ‘Oh he is
saying the same as someone else', or ‘someone else has said it
much better'. This is the latter half of the well known
conservative argument that some new idea is (a) no good
because it hasn't been heard before or (b) it is no good
because it has been heard before. If, as has been noted by RC
Zaehner, once the Oxford University Professor of Eastern
Religions and Ethics, I am saying the same thing as Aristotle;
and if, as has been noted in the Harvard Educational
Review , I am saying the same thing as William James; and
if, as has been noted now, I may be saying the same thing as
Spinoza: then why has no one ever noticed that Aristotle and
Spinoza and William James are all saying the same thing?”
Pirsig has coined the term “philosophology” to contrast to
real philosophy. The distinction parallels that between
literary critics and writers. Philosophologists write about
the philosophy of others and philosophers actually write their
own philosophy. I tell Pirsig that I agree that one of the
main trappings of academic philosophy is that it encourages
the former rather than the latter. He accepts that “most
philosophologists also philosophise and most philosophers also
philosophologise”, but I suggest that the good reason many
philosophers spend a lot of time discussing the ideas
of other philosophers is because they appreciate that the
ideas they have do not emerge out of a vacuum, but have been
shaped and preceded by the ideas of many great thinkers.
Further, by constantly thinking about how their ideas relate
and compare to those of their peers and the greats of the
past, they hope to learn from them, and not to repeat errors.
“The division between authors and literary critics throws
light on this subject,” says Pirsig. “The author is a creator
and the critic is a judge. Literary critics normally do not
pretend they are authors when they judge a book, but
philosophologists do pretend they are philosophers when they
judge someone else's philosophy. The best of literary critics
know that an author has to work alone and not go around
showing his manuscript to everybody, because his source is not
what everyone else has said. He has to be out there finding
things where nobody has gone before. Because philosophologists
think of themselves as philosophers they do not understand
that a real philosopher is not doing the same thing they are,
and should not be doing the same thing they are if he wants to
come up with genuine philosophy, and not just more of the
usual repetition and dissection of old ideas.”
As our exchange drew to a close, I wanted to make my own
unease explicit. So in my final question I outlined my own
personal response to Pirsig, and asked what he made of it.
“I think both books reveal an author of exceptional
intelligence and insight,” I wrote. “However, I do feel that
in seeking to build an all-encompassing system to connect all
these insights, we end up with a whole which is less than the
sum of its parts. Perhaps this does little more than reflect
the extent to which my own thinking has been affected (or
infected) with the anti-metaphysical bias of recent
Anglo-American philosophy. But I don't think it is just that.
I think rather that it connects to the above point about
philosophology. You have not allowed yourself to be
constrained by other philosophers, which has given you the
benefit of more freedom and more originality. But constraints
also provide checks and balances, and without them, I fear
you've constructed a system on foundations that are not up to
the job of supporting it.”
“The foundations are okay, in fact they are rock-solid, but
we never got to discuss them,” he replied. He then went on to
make the comments included earlier about how our interview had
resulted in a standoff. But we had discussed where
the arguments to support the Metaphysics of Quality were to be
found, why we should accept it, its relation to the
subject-object distinction (which space has not allowed me to
include here), whether it was metaphorically or literally
true, what was revolutionary about it, whether it was a monist
theory and so on.
It seems to me that Pirsig's dissatisfaction has deeper
roots than this, and perhaps the experience of this interview
will help dig them up. Pirsig desires contradictory things. He
wants to be seen as an original, not constrained by the
philosophy of his predecessors; but he also wants to be
recognised by the very people whose whole understanding of
philosophy is based on those predecessors, and who justifiably
believe that newcomers must be judged at least in part with
how they measure up to them.
“[It] does bother me that Lila is not as
successful as it should be among academic philosophers,” he
told me early in our exchange. “In my opinion it's a much more
important book than Zen and the Art of Motorcycle
Maintenance . My feeling is like that of someone trying
to sell five-dollar bills for two dollars apiece and hardly
making a sale. Readers of Lila are naturally leery
because they're not used to the idea of a Metaphysics of
Quality, but I think that if they eventually understand what
is being offered, there will be a change of mind. Perhaps
these questions in The Philosopher's Magazine mark a
beginning. After all these years I'm grateful to hear them
stated openly.”
By the end, I wonder if his gratitude to my series of
sceptical questions remained. I am sure he is disappointed
that I turned out to be too like the “philosophologists” he
decries. But perhaps a true outsider has to remain without.
I'm sure that nothing I asked him will cause him to doubt for
one minute the truth of his philosophy. But it might just
confirm his suspicion that engaging with the philosophical
mainstream is a waste of time. Like our interview, neither
side is prepared to engage on the other's terms, but both
sides believe they have excellent reasons for standing their
ground. Would face to face discussion overcome this? Perhaps.
But in the meantime we remain with what Pirsig rightly called
a standoff, but one which cannot be blamed on one party alone,
and which currently seems to suit the establishment more than
it does Pirsig.
Julian Baggini (www.julianbaggini.com) is editor of
The Philosophers' Magazine
What is the Metaphysics of Quality?
The Metaphysics of Quality, or MOQ, is simply a philosophic
answer to the question of what is Quality, or worth, or merit,
or value, or betterness or any of the other synonyms for good.
There are many possible answers but the one the MOQ gives is
that you can understand Quality best if you don't subordinate
it to anything else but instead subordinate everything else to
it.
It says there are two basic kinds of Quality, an undefined
Quality called Dynamic Quality, and a defined quality called
static quality. Static quality is further divided into four
evolutionary divisions: inorganic, biological, social and
intellectual. Our entire understanding of the world can be
organised within this framework. When you do so things fall
into place that were poorly defined before, and new things
appear that were concealed under previous frameworks of
understanding. The MOQ is not intended to deny previous modes
of understanding as much as to expand them into a more
inclusive picture of what it's all about.
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